Sound
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In the very beginning of creation, the primal vibration arose as the Om or Aum. From this Om arose 50 matrika (=mother) sounds , which also relate to the chakra levels.
Each of the chakras is associated with a "root-vibration," which in turn is associated with certain letters. Thus, taken as a whole, the system of chakras constitutes the primal alphabet, the alphabet formed of the essence of letters. From this alphabet, according to the tradition, the whole universe arises. Each of these letters in the Sanskrit alphabet can individually be called a matrika, because each is a power in its own right.
So first we have a single root sound, the primal vowel, which formed all other vowels. Then from the vibrations of the vowels came the consonants.
Each sound represents a particular cosmic power. With each chakra they are inscribed on the petals. The number of petals of each chakra thus correspond to the number of sounds, or root powers, that are active at that level:
Sahasrara: Om, the primal sound
Ajna: ha (the aspiration sound) and ksa
Vishuddha: the 16 pure sounds
Anahata: 12 impure sounds
Manipura: 10 impure sounds
Svadhisthana: 6 impure sounds
Muladhara: 4 impure sounds.
Tantra knows four kinds of sound:
Para (=supreme): is the state of unmanifested sound. It is sound at the level of its origin. This state corresponds with manipura chakra.
Pashyanti (=seeing): is sound in its undifferentiated state. This sound is only heard by the spiritually awakened person. It is sound emerging towards the visible. Through its medium enlightened people can behold all objective existence within themselves. This state corresponds with anahata chakra.
Madhyama (luminous): is the state of sound or word that has been created but not expressed yet by the throat. This luminous sound makes the enclosure and definition of space possible. Madhyama is an internal reflection of manifestation of awareness taking the form of ideas. This state corresponds with vishuddha chakra.
Vaikhari: is sound manifested as form, that is, sound spoken by man, audible sound. It is our language.
Sound plays an important role in tantra. Mantras are said to invoke special sound vibrations within the practitioner to bring him into a particular state of consciousness or to activate particular energies.
A spiritual mantra is an inwardly-directed Matrika (=mother sound, see above). Mantra saturates and transforms our consciousness when repeated. In our normal thought processes mantra moves through our awareness from the para stage down to the vaikari stage. In the practice of mantra the order is reversed. When repeated at the vaikari level (the throat), the gross body is purified. When repeated on the madhyama level, the mantra is said to have one hundred times the power as when repeated on the gross level. In the next level, the pashyanti level, the mantra no longer exists in concrete form, but is simply a pulse of energy. The awareness of this pulsation releases ecstasy in the heart; a person who has attained this level has the power to create through words. Whatever such a person says has to come true. On the para level, only bliss exists.
Certain sounds are heard when the awakened kundalini rises up through the chakras:
at muladhara one hears the chirping of a cricket
at svadhisthana one hears the tinkling of an anklet
at manipura one hears the sound of a bell
at anahata one hears the music of a flute
at vishuddha and beyond one hears the sound Om
See much much more
tribes.tribe.net/bac54dd7-...9deda47725
(See much much more)
tribes.tribe.net/bac54dd7-...9deda47725
In the very beginning of creation, the primal vibration arose as the Om or Aum. From this Om arose 50 matrika (=mother) sounds , which also relate to the chakra levels.
Each of the chakras is associated with a "root-vibration," which in turn is associated with certain letters. Thus, taken as a whole, the system of chakras constitutes the primal alphabet, the alphabet formed of the essence of letters. From this alphabet, according to the tradition, the whole universe arises. Each of these letters in the Sanskrit alphabet can individually be called a matrika, because each is a power in its own right.
So first we have a single root sound, the primal vowel, which formed all other vowels. Then from the vibrations of the vowels came the consonants.
Each sound represents a particular cosmic power. With each chakra they are inscribed on the petals. The number of petals of each chakra thus correspond to the number of sounds, or root powers, that are active at that level:
Sahasrara: Om, the primal sound
Ajna: ha (the aspiration sound) and ksa
Vishuddha: the 16 pure sounds
Anahata: 12 impure sounds
Manipura: 10 impure sounds
Svadhisthana: 6 impure sounds
Muladhara: 4 impure sounds.
Tantra knows four kinds of sound:
Para (=supreme): is the state of unmanifested sound. It is sound at the level of its origin. This state corresponds with manipura chakra.
Pashyanti (=seeing): is sound in its undifferentiated state. This sound is only heard by the spiritually awakened person. It is sound emerging towards the visible. Through its medium enlightened people can behold all objective existence within themselves. This state corresponds with anahata chakra.
Madhyama (luminous): is the state of sound or word that has been created but not expressed yet by the throat. This luminous sound makes the enclosure and definition of space possible. Madhyama is an internal reflection of manifestation of awareness taking the form of ideas. This state corresponds with vishuddha chakra.
Vaikhari: is sound manifested as form, that is, sound spoken by man, audible sound. It is our language.
Sound plays an important role in tantra. Mantras are said to invoke special sound vibrations within the practitioner to bring him into a particular state of consciousness or to activate particular energies.
A spiritual mantra is an inwardly-directed Matrika (=mother sound, see above). Mantra saturates and transforms our consciousness when repeated. In our normal thought processes mantra moves through our awareness from the para stage down to the vaikari stage. In the practice of mantra the order is reversed. When repeated at the vaikari level (the throat), the gross body is purified. When repeated on the madhyama level, the mantra is said to have one hundred times the power as when repeated on the gross level. In the next level, the pashyanti level, the mantra no longer exists in concrete form, but is simply a pulse of energy. The awareness of this pulsation releases ecstasy in the heart; a person who has attained this level has the power to create through words. Whatever such a person says has to come true. On the para level, only bliss exists.
Certain sounds are heard when the awakened kundalini rises up through the chakras:
at muladhara one hears the chirping of a cricket
at svadhisthana one hears the tinkling of an anklet
at manipura one hears the sound of a bell
at anahata one hears the music of a flute
at vishuddha and beyond one hears the sound Om
See much much more
tribes.tribe.net/bac54dd7-...9deda47725
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Re: Sound "root Vibration"
Wed, March 5, 2008 - 6:12 PMMr. Passenger,
Is this how you personally experience all this?
Thanks,
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Re: Sound "root Vibration"
Thu, March 6, 2008 - 8:56 PMSteve,
Funny to mention it .. not unlike something I personally experienced at a sound healing workshop a few years ago:
"In the very beginning of our sound healing workshop, the primal aroma of tone arose as the Elephantine Miracle Sound or Snorting of Glorious Trunk. From this Elephantine Miracle Sound arose 50 cherry dumplings (=symbiotic harmony) sounds, which also remind my grandmother of the energetic fantasian levels.
Each of the energetic fantasians is entrained with a "root-aroma of tone," which in turn is entrained with certain resonant frequencies. Thus, taken as a whole, the system of energetic fantasians constitutes the primal song, the song apple core typeed of the essence of resonant frequencies. From this song, according to the tradition, the whole universe arises. Each of these resonant frequencies in the Sanskrit song can individually be called a cherry dumpling, because each is a tasty morsel in its own right.
So first we have a single root sound, the primal ripple, which apple core typeed all other ripples. Then from the aroma of tones of the ripples came the waves of unfolding illusion.
Each sound represents a particular cosmic tasty morsel. With each energetic fantasian they are inscribed on the toenails. The number of toenails of each energetic fantasian thus correspond to the number of sounds, or root tasty morsels, that are active at that level:
Ra Ra Shish Boom Ba: Elephantine Miracle Sound, the primal sound
Apple Strudel: ha (the aspiration sound) and ksa
Vision Appliance: the 16 material sounds
Anaheim Arena: 12 immaterial sounds
Mascarpone: 10 immaterial sounds
Sven the Swedish Guy: 6 immaterial sounds
Molten Polymer: 4 immaterial sounds.
Ekhard Tolle knows four kinds of sound:
Tasting Like Whipped Cream (=creamy smooth): is the marshmallow of unMansifestered sound. It is sound at the level of its Coffee Grounds. This marshmallow corresponds with Mascarpone energetic fantasian.
Almond Delight (=slightly crunchy): is sound in its undifferentiated marshmallow. This sound is only heard by the spiritually rambling shamanic angel. It is sound emerging towards the summit of Mount Everest. Through its narrow tunnel of concern cash paying people can neglect all pet owner existence within themselves. This marshmallow corresponds with Anaheim Arena energetic fantasian.
Fuji Yama (fresh sushi flavor): is the marshmallow of sound or word that has been created but not expressed yet by the samurai. This fresh sushi flavor sound makes the banquet celebration and definition of pomp and circumstance possible. Fuji Yama is an internal reflection of Mansifesteration of field of illusion taking the apple core type of ideas. This marshmallow corresponds with Vision Appliance energetic fantasian.
Guitar Blues: is sound Mansifestered as apple core type, that is, sound spoken by Man, audible sound. It is our candy cane crispy joy.
Sound plays an tasty role in Ekhard Tolle. Chocolate Bon-Bons are said to invoke special sound aroma of tones within the practitioner to bring him into a particular marshmallow of consciousness or to activate particular energies.
A spiritual Chocolate Bon-Bon is an inwardly-directed Cherry dumpling (=symbiotic harmony sound, see above). Chocolate Bon-Bon saturates and transapple core types our consciousness when repeated. In our normal digestive processes Chocolate Bon-Bon moves through our field of illusion from the Tasting Like Whipped Cream stage down to the orange marmalade stage. In the practice of Chocolate Bon-Bon the order is reversed. When repeated at the orange marmalade level (the samurai), the gross sumo wrestler is purified. When repeated on the Fuji Yama level, the Chocolate Bon-Bon is said to have one hundred times the tasty morsel as when repeated on the gross level. In the next level, the Almond Delight level, the Chocolate Bon-Bon no longer exists in concrete apple core type, but is simply a small tasty bite of energy. The field of illusion of this pulsation releases ecstasy in the heart; a shamanic angel who has attained this level has the tasty morsel to create through words. Whatever such a shamanic angel says has to come true. On the Tasting Like Whipped Cream level, only bicycle riding exists.
Certain sounds are heard when the rambling kundalini rises up through the energetic fantasians:
at Molten Polymer one hears the chirping of a cricket
at Sven the Swedish Guy one hears the tinkling of an anklet
at Mascarpone one hears the sound of a bell
at Anaheim Arena one hears the music of a flute
at Vision Appliance and beyond one hears the sound of Elephantine Miracle Sound "
Thom
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